Two companies, alike in grace and mastery,
At Leeds playhouse, where we lay our scene,
Northern Ballet brings fire to tragedy,
As star-crossed love is woven through each scene.
From the moment the sheer curtain separated on Friday, 20th June 2025, the audience was transported from the heart of Leeds to the heartache of fair Verona. Northern Ballet’s Romeo and Juliet, choreographed by Massimo Moricone, and directed by Christopher Gable CBE, took to the stage at Leeds Playhouse in a moving blend of classical storytelling and expressive movement that spoke volumes, without a single word uttered (only a solitary scream).
While the ballet isn’t a line-by-line retelling of Shakespeare’s iconic play, it captures the essence of the tragedy through movement, imposing music, and stunning visual storytelling. For those familiar with the original text, key moments such as the Capulet Ball, the fight in the town square, and the final Capulet’s Crypt scene are recognisably and respectfully brought to life.
My favourite has to be the Capulet’s Ball, which encapsulated the audience. The authority the characters demanded as they descend upon the stage, the music adding an extra sense of gravitas and the wardrobe, oh, I loved the wardrobe. The movement of the dresses, and the cloaks added a sense of depth and power to the scene, helping cover more of the stage with their presence, to assert in that scene their dominance in their own home. Romeo, not taking centre stage, immediately, but floating around the edges, captivated by Juliet as she dances with Count Paris. The subtle touches of every character, ‘chatting’, dancing, moving, brought the scene to life.
While every performer stood out, personally, two characters captured my attention the most, Mercutio and The Nurse.
Mercutio lit up the stage every time he appeared. Portrayed with a thrilling mix of mischief and defiance, his playful, hot-headed energy brought moments of lightness that made his tragic fate all the more gut-wrenching. One moment he was gliding across the stage, with precision and talent, the next he was locked in fierce combat, his movements a mirror of his dual nature. The way he could flick between jest and rage in a single breath made his character feel both unpredictable and painfully human.
The Nurse, however, offered a quiet, emotional centre to Juliet’s world. Her portrayal struck a beautiful balance between tenderness and tension. You could feel the depth of her bond with Juliet, motherly, loyal, fun, and full of admiration. But that closeness was also laced with conflict. The Nurse’s silent struggle, torn between protecting Juliet and obeying her family, was performed with such sensitivity that you couldn’t help but feel from the weight she carried from your seat. All from a physical performance, movement, facial expressions, it’s astonishing to consider.
And, spoiler, I wasn’t alone in appreciating these standout performances, as the crowd levelled up their clapping at the end when they both took a bow.
Lez Brotherston OBE’s set design struck a fine balance between grandeur and intimacy, allowing dancers the space to perform while keeping the focus on the characters. The ‘stone’ balcony of Juliet’s bedroom, the flickering candles of the chapel, and the solemn crypt were memorable visual moments. And, the moment the ‘rain’ fell, you felt the presence of the audience, with the attendee next to me even gasping. Sergei Prokofiev’s score, powerful and intense, underscored the action with exactly what it needed. No matter the visual aspect on stage, whether in the midst of action, or gazing out of the balcony window, the music complemented the scene, reinforcing the emotions you are meant to feel.
Would I recommend it? Absolutely. The combination of Northern Ballet and Leeds Playhouse is always a remarkable hit, and this Ballet matches their reputation. The retelling of Romeo and Juliet is a triumph of storytelling through movement, minimal but impactful visuals and all-encompassing music. Even without dialogue, the audience understands the depth of love, the rage of betrayal, and the crushing weight of fate. It’s a production that proves the power that ballet has when it comes to retelling age-old tales with renewed emotion and leaves you thinking about it long after the cast takes their bow.
Whether you are a long-time lover of Shakespeare or brand new to ballet, this performance offers something special: a chance to travel into the heart of age-old tales. So, the next time a ballet comes your way, take the chance, and book a seat. Leeds Playhouse once again provided the perfect setting for a timeless story to unfold.
For never was a story of more woe,
Than this of Juliet and her Romeo
Romeo & Juliet runs at Leeds Playhouse until Saturday 21 June 2025. Find full details and tickets here. Age guidance 10+
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